Dan Kwian Nakhon Ratchasima
The Manufacturing of Earthenware
1. The Preparation of Bodies
Known as the ‘land of ceramics’, Dan Kwian is Nakhon Ratchasima’s main ceramics centre. Previously an area where bull-carts would stop on their way to nearby Khorat, generations of Dan Kwian residents have been involved in making the local pottery which is famed for a rough texture and a rust-like colour. The geographic particularities of this district mean that it is the only place in the country this type of pottery is produced. Aside from the usual bowls and dishes, the pottery is shaped in a variety of everyday implements such as utensils and tools. As interest in the area’s pottery has grown, more ‘artisitic’ items have been produced – jewelry, chimes, figurines and vases are all now firmly on the craftsmen’s menu. The pottery is not just here for tourists, the international sales of the craftsmen’s work plays an important contribution to the local economy. Virtually everywhere you go ceramics are on sale.
Details: Demonstrations of the potters’ art can be arranged for a small contribution. There are also displays of the bull-carts from around the country that stopped at the site in days gone by. A trip to the Moon River on the east the village is also worthwhile while you are here.
How to get there: Dan Kwian is in Tambol Dan Kwian of Chokchai District on Route No.224, 15 kilometres south-east of Korat. The best way to get there is Songtaew from Khorat’s south or east city gates and the fare in 10 Baht.
- Aging
It is rather a rule that in the manufacturing of earthenware, the special and correct mixure of the clay is needed.That is the plasticity of the clay to be mixed must be counted. Here in Dan Kwian, two type of clay are used the very plastic clay and the mild plastic clay.The ratio of 2:1 is applied. In the mixing, dirts and other crude substances must be removed. The clay then needs watering to keep it wet at the moderate ondition then must be kept in apond-size 1x1 metres wide and 20 centimetres deep for at least 24 hours.
- Wedging
Before the forming process, the clay body must be treated i.e wedging stage. Normally through the wetting process, and machine work.The machine will help wedge the clay and make it like tube-like shape, to be ready for the forming process . In the old days, the mixing of clay, the craftsmen will cover the clay with buffalo skin or pieces of wood, then keep steping on the clay ultil the clay is mixed. After that the clay will be bornd (either by auger machine or by hands) in the size of 25 - 30 centimetres long and 8 centimetres wide. At this stage, the clay is called 'Loh' (the parameter used to mark the size of product to be made). The 'Loh' must be kept wet either wrapped by plastic sheets or in the old days by banana leaves and kept in the big jars for the 2 days.
2. The forming process
The throwing method is applied in the forming process.The tool know as 
'Pamoon' (Potter's Wheel) is needed at this satge. Craftsman and this helper must work simultaneously.The craftsman will use the 'Loh' to produce the shape of the product as wanted (the coil method) while his helper kicks the wheel accordingly. Wet clothes are used to help keep the 'Loh' wet.
3. The Finishing and Decoration
In the old day, only one desing was applied to decorate the products and it was called 'Lai Ta Geang'. Craftsmen usually need pieces of wood sticks as tool for cuting the desing on the products and it has to be done at the stage called "leather hard" stage. Today the decoration is designed according to the need of the customers or the information given the following 3 modules are applied:
3.1 the incised design
3.2 the sgraffito or scratched decoration
3.3 the relief design - using slip as attaching material and the combing method is applied.
4. The Air Drying
After the forming, the shaping and the decorating process, the products are moved for drying practically in grass huts that the roof are designed and built where the end parts are down to the ground in order to help protect the products from direct wind and the sun and of course from the rian.The floor of each hut is normally paved with sand. The drying period is depended upon the season then. In the summer, the drying may take 15 - 20 days. In the rainy season, the drying may take 30 days.
5. The Firing Process
In the old days, cr
aftsmen, normally prepared the kiln (tunnel kiln) for the firing process, the ants' domes was favourable ones where the summits of the domes were used as chimneys, and the inside of the domes were used as firing chambers. The kilns in the old days were called "Tao Tu Reang" Today, kilns are made from raw bricks and the floors are at the same levels as the grounds. Other firing chanber parts are still the same. The firing process can be devided into 3 steps according to the temperature used.
- Low temperature or "Lum", a name given by craftsmen, the temperature used is about 0 - 300 degree celcius. At least 3 big logs are used for burning right infront of the door of the kiln for 12 hours.
- Moderate temperature or "Ud". the temperature used is about 300 - 900 degree celcius. Smaller logs are used burning at the door of the kiln for 6 hours.
- Hight temperature or "Long Fai". The temperature is about 900 - 1,300 degree celcius.Wood and logs are burned inside the kiln.
Klong Sabad Chai is the sacred dance of the victory drum, performed as an integral part of the drumming. Hung from double wooden sticks and carried by men, the Klong Sabat Chai boran (drum) has been used for more than seven hundred years in rituals proclaiming the victories of warriors and kings. The beating of the drum requires agility and virtuosity in using many parts of the body and all parts of the drum including the wooden frame to create the hypnotic power of this ritual drum dance.
These classical Thai Dance performances can be seen today at various artistic and cultural centers in the country. In Chiangmai, the performances are held at the 
The beating klong sabatchai is performiances of Lanna .It has acrobatics character excitedly and has using organ such as the elbow , knees , head in the beating klong sabatchai .
